Noor Jehan (born Allah Rakhi Wasai) was a famous Pakistani singer and actress whose career spanned more than six decades, during which she recorded over 10,000 songs. This image shows Madam Noor Jehan in one of her most iconic photos. Holding a Sitar, looking off camera, and striking a pose,
Noor Jehan sang 12 war songs which were recorded and broadcasted by Radio Pakistan during the 1965 war. She was given the title
Mumtaz Ahmed was born in 1946 in Lahore. In this interview with The Citizens Archive of Pakistan (CAP) he speaks about Madam Noor Jehan and how he remembers her going to the studio at Radio Pakistan. He mentions that Sufi Tabassum used to call Noor Jehan to the studio to do live recordings and then her songs would be on air immediately. She would record almost daily and her songs were enjoyed by many people across the country, and they also motivated many during times of war.
During the 1965 war, Noor Jehan contributed towards boosting the morale of Pakistani soldiers and citizens with a collection of patriotic anthems and uplifting tunes. She sang 12 war songs that were recorded and broadcasted by Radio Pakistan.
Due to this she received much respect from the Armed Forces and in 1966 was given the Tamgha-e-Imtiaz in recognition of the legendary patriotic songs—one of the highest Pakistani civilian awards.
Surriya Ashraf was born in 1936 in Nowshera, India. In her interview with The Citizens Archive of Pakistan (CAP) she remembers how Madam Noor Jehan had sung many songs during the 1965 War that were broadcasted on Radio Pakistan. Her songs motivated the nation so much that people from every household were coming out to help in whatever way that they could.
Family Life
Her first big break in Pakistan was in 1951 with the film, Chanwey, opposite Santosh Kumar.
This picture, set against the scenic background of the Karachi Sea, was taken in the early 50s. Keeping her social calendar filled, Madam Noor Jehan enjoyed the company of family and friends
Career and Achievements
Noor Jehan established herself as a top actress with films like Dopatta (1952), Intezar (1956) and Koel (1959). She made over 40 films, the last of which was Mirza Ghalib (1961). After this she pursed a successful career as a playback singer.
She holds the record for having given voice to the largest number of film songs in the history of Pakistani cinema.
The original Prima Donna of Pakistan, throughout her career Madam Noor Jehan was known for her flamboyant and theatrical personality. This iconic picture highlights her glamorous style.
In 1957, she was the recipient of the President’s Award for Pride of Performance for her contribution towards acting and singing.
Here you can see Madam Noor Jehan with the famous actor Dilip Kumar. Both of them are smiling widely: a sign of their friendship and appreciation for each other.
They co-starred together in the 1947 film Jugnu.
Not only a prolific performer in front of the screen, Jehan also became know as Pakistan’s first female director when she directed Chanwey in 1951 along with her husband.
Mumtaz Ahmed Speaks About Madam Noor Jehan, The Citizens Archive of Pakistan, From the collection of: The Citizens Archive of Pakistan
Mumtaz Ahmed was born in 1946 in Lahore. In this interview with The Citizens Archive of Pakistan (CAP) he speaks about Madam Noor Jehan and how he remembers her going to the studio at Radio Pakistan. He mentions that Sufi Tabassum used to call Noor Jehan to the studio to do live recordings and then her songs would be on air immediately. She would record almost daily and her songs were enjoyed by many people across the country, and they also motivated many during times of war.
During the 1965 war, Noor Jehan contributed towards boosting the morale of Pakistani soldiers and citizens with a collection of patriotic anthems and uplifting tunes. She sang 12 war songs that were recorded and broadcasted by Radio Pakistan.
Due to this she received much respect from the Armed Forces and in 1966 was given the Tamgha-e-Imtiaz in recognition of the legendary patriotic songs—one of the highest Pakistani civilian awards.
These songs not only motivated the Armed Forces of Pakistan but also enabled Pakistani civilians to amass courage. Even today when these songs are played, they rekindle the same spirit of 1965.
Taken around the 90s, this image shows Madam Noor Jehan entertaining General Pervaiz Musharraf.
Surriya Ashraf Speaks About Madam Noor Jehan, The Citizens Archive of Pakistan, From the collection of: The Citizens Archive of Pakistan
Surriya Ashraf was born in 1936 in Nowshera, India. In her interview with The Citizens Archive of Pakistan (CAP) she remembers how Madam Noor Jehan had sung many songs during the 1965 War that were broadcasted on Radio Pakistan. Her songs motivated the nation so much that people from every household were coming out to help in whatever way that they could.
Family Life
Madam Noor Jehan was married twice, her first husband was Shaukat Hussain Rizvi and her second husband was Ejaz Durrani. She had six children in total from both marriages: Zil-e-Huma, Hina Durrani, Mina Hasan, Nazia Ejaz Khan, Akbar Hussain Rizvi, and Asghar Hussain Rizvi. Despite her busy schedules, fame and stardom, Madam Noor Jehan maintained a balance between her home life and her career.
Caught in an unguarded moment, Madam Noor Jehan is seen here with her first husband Shaukat Hussain Rizvi and two little girls. Mr. Rizvi is seen here looking totally enamored by Madam, having eyes only for her.
Zil-e-Huma dressed as a bride, Madam’s first husband Shaukat Hussain Rizvi, Haroon Rasheed Butt and Madam Noor Jehan.
Dressed to the nines, Madam Noor Jehan exhibited her extravagant personality through her fashion sense.
Caught in the act of fixing her hair, this picture is from the Murree Convent days, a girls school in Punjab, Pakistan where her daughters were studying.
This candid, family photograph is a true representation of Noor Jehan’s top priority: her family. Madam’s affection and need to protect her family, especially her daughters, is clearly evident through their smiles and laughter.
Noor Jehan always put her family life on a pedestal. In this photograph, Madam is elated as she claps and cheers on her daughter who is cutting her birthday cake.
The man in this picture, assisting with the cutting of the cake, is her second husband, Ejaz Durrani.
From the extreme right the order of the girls is: Hina Durrani, Nazia Durrani and Zil-e Huma (her daughter holding Noor Jehan’s grandson Muhammad Ali Butt). Shazia Sardar is seen at the back.
Seen here at a wedding, we get a glimpse into the side of Madam Noor Jehan’s life as a family woman.
We see people crowd around her as she tries to get a picture taken with her family, highlighting the struggle she must have faced in maintaining a peaceful family existence amidst a life of stardom.
This picture shows a touching family moment. Surrounded by loved ones at what seems to be the wedding of her daughter to Haroon Rasheed, we see the life that Madam Noor Jehan led behind the cameras and the silver screens.
Noor Jehan dressed in a striking saree and enjoying her dinner at wedding reception. To her left is Haroon Rasheed.
Madam Noor Jehan is pictured here with her second husband’s cousin and Nazia Durrani, her daughter from her second husband, Ejaz Durrani.
Florence Villiers Speaks About Madam Noor Jehan, The Citizens Archive of Pakistan, From the collection of: The Citizens Archive of Pakistan
Florence Villiers was born in 1947 in France. She came to Pakistan in the 1970s and was married to Madam Noor Jehan’s son, Akbar Hussain Rizvi. In her interview with The Citizens Archive of Pakistan she speaks about how hardworking and dedicated Madam Noor Jehan was.
Noor Jehan, adorned in a flamboyant saree lends an ear to her daughter Zil-e-Huma, who seems to be sharing her thoughts.
Madam Noor Jehan with her daughters and grandchildren.
Never missing out on an opportunity to flaunt her vibrant personality, Noor Jehan smiles for the camera. Her daughter Zil-e-Huma and her grandchildren Nazia Durrani, Muhammad Ali and Shazia Sardar also pose for the same picture.
Noor Jehan in a peaceful and touching moment with her granddaughter, Nazia Durrani.
Taken in the 1980s, Noor Jehan is seen at a later stage in her life, standing in close proximity to her daughter, Zil-e-Huma. Her daughter, a carbon copy of her mother, appears to be in deep conversation with her.
Noor Jehan, even at an older age, appears elegant, with a flower in her hair and donning a red Shalwar Kameez.
Madam looks overwhelmed while sharing an intimate moment with her daughter Zil-e-Huma.
Noor Jehan with her daughter Zil-e-Huma and Son-in-law Haroon Rashed.
Here we see Madam Noor Jehan exuding an aura of pure bliss and glee.
Madam Noor Jehan, in her later days, is seen holding tightly on to her daughter, Zil-e-Huma.
This moment represents the close relationship the mother-daughter duo shared; evident, through the adoring, gazing look she is giving her daughter. Zil-e-Huma, dressed in complete white and looking like a replica of her mother, clearly reciprocates the feelings.
A picture of an elderly Noor Jehan wearing a black outfit with a smart white jacket, standing with her daughter Zil-e-Huma in Paris
Noor Jehan passed away on December 23, 2000, but, as Malak-e-Taranum, will always be remembered for her larger than life personality, and for bringing people together through her music.
Credits: Story
Initial Design, Concept and Layout:
Aaliyah Tayyebi
Primary Data collection:
CAP Oral History Project Lahore Team 2017
– Hiba Ali
– Sultan Ali
– Mustafa Kamal
– Rahma Sohail
Secondary Research:
Aaliyah Tayyebi
Serena Anthony
Syed Zain Haroon
Ihsan Arsalaan
Hafsa Tahir
Neha Maqsood
Editing:
Anum Zahid (Photo Editing)
General Editing, Technical Support and Final Design:
Aaliyah Tayyebi
Aleena Mashood
Rumman Islam
The Citizens Archive of Pakistan (CAP) is a non-profit organisation dedicated to cultural and historic preservation, operating in Karachi and Lahore. We seek to educate the community, foster an awareness of our nation’s history and instil pride in Pakistani citizens about their heritage.
Copyright © 2017 by Citizens Archive of Pakistan (CAP).
All rights reserved. No part of this Exhibit may be reproduced, distributed, or transmitted in any form or by any means, including copying, or other electronic or mechanical methods, without the prior written permission of Citizens Archive of Pakistan (CAP).
All the images shown here were donated to CAP by Noor Jehan’s grandson Mohammad Ali Butt and her grand daughter-in-law Saira Khan.
Credits: All media
The story featured may in some cases have been created by an independent third party and may not always represent the views of the institutions, listed below, who have supplied the content.
The Citizens Archive of Pakistan
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Career and Achievements
Noor Jehan established herself as a top actress with films like Dopatta (1952), Intezar (1956) and Koel (1959). She made over 40 films, the last of which was Mirza Ghalib (1961). After this she pursed a successful career as a playback singer.
She holds the record for having given voice to the largest number of film songs in the history of Pakistani cinema.
The original Prima Donna of Pakistan, throughout her career Madam Noor Jehan was known for her flamboyant and theatrical personality. This iconic picture highlights her glamorous style.
In 1957, she was the recipient of the President’s Award for Pride of Performance for her contribution towards acting and singing.
Here you can see Madam Noor Jehan with the famous actor Dilip Kumar. Both of them are smiling widely: a sign of their friendship and appreciation for each other.
They co-starred together in the 1947 film Jugnu.
Not only a prolific performer in front of the screen, Jehan also became know as Pakistan’s first female director when she directed Chanwey in 1951 along with her husband.
Mumtaz Ahmed Speaks About Madam Noor Jehan, The Citizens Archive of Pakistan, From the collection of: The Citizens Archive of Pakistan
Mumtaz Ahmed was born in 1946 in Lahore. In this interview with The Citizens Archive of Pakistan (CAP) he speaks about Madam Noor Jehan and how he remembers her going to the studio at Radio Pakistan. He mentions that Sufi Tabassum used to call Noor Jehan to the studio to do live recordings and then her songs would be on air immediately. She would record almost daily and her songs were enjoyed by many people across the country, and they also motivated many during times of war.
During the 1965 war, Noor Jehan contributed towards boosting the morale of Pakistani soldiers and citizens with a collection of patriotic anthems and uplifting tunes. She sang 12 war songs that were recorded and broadcasted by Radio Pakistan.
Due to this she received much respect from the Armed Forces and in 1966 was given the Tamgha-e-Imtiaz in recognition of the legendary patriotic songs—one of the highest Pakistani civilian awards.
These songs not only motivated the Armed Forces of Pakistan but also enabled Pakistani civilians to amass courage. Even today when these songs are played, they rekindle the same spirit of 1965.
Taken around the 90s, this image shows Madam Noor Jehan entertaining General Pervaiz Musharraf.
Surriya Ashraf Speaks About Madam Noor Jehan, The Citizens Archive of Pakistan, From the collection of: The Citizens Archive of Pakistan
Surriya Ashraf was born in 1936 in Nowshera, India. In her interview with The Citizens Archive of Pakistan (CAP) she remembers how Madam Noor Jehan had sung many songs during the 1965 War that were broadcasted on Radio Pakistan. Her songs motivated the nation so much that people from every household were coming out to help in whatever way that they could.
Family Life
Madam Noor Jehan was married twice, her first husband was Shaukat Hussain Rizvi and her second husband was Ejaz Durrani. She had six children in total from both marriages: Zil-e-Huma, Hina Durrani, Mina Hasan, Nazia Ejaz Khan, Akbar Hussain Rizvi, and Asghar Hussain Rizvi. Despite her busy schedules, fame and stardom, Madam Noor Jehan maintained a balance between her home life and her career.
Caught in an unguarded moment, Madam Noor Jehan is seen here with her first husband Shaukat Hussain Rizvi and two little girls. Mr. Rizvi is seen here looking totally enamored by Madam, having eyes only for her.
Zil-e-Huma dressed as a bride, Madam’s first husband Shaukat Hussain Rizvi, Haroon Rasheed Butt and Madam Noor Jehan.
Dressed to the nines, Madam Noor Jehan exhibited her extravagant personality through her fashion sense.
Caught in the act of fixing her hair, this picture is from the Murree Convent days, a girls school in Punjab, Pakistan where her daughters were studying.
This candid, family photograph is a true representation of Noor Jehan’s top priority: her family. Madam’s affection and need to protect her family, especially her daughters, is clearly evident through their smiles and laughter.
Noor Jehan always put her family life on a pedestal. In this photograph, Madam is elated as she claps and cheers on her daughter who is cutting her birthday cake.
The man in this picture, assisting with the cutting of the cake, is her second husband, Ejaz Durrani.
From the extreme right the order of the girls is: Hina Durrani, Nazia Durrani and Zil-e Huma (her daughter holding Noor Jehan’s grandson Muhammad Ali Butt). Shazia Sardar is seen at the back.
Seen here at a wedding, we get a glimpse into the side of Madam Noor Jehan’s life as a family woman.
We see people crowd around her as she tries to get a picture taken with her family, highlighting the struggle she must have faced in maintaining a peaceful family existence amidst a life of stardom.
This picture shows a touching family moment. Surrounded by loved ones at what seems to be the wedding of her daughter to Haroon Rasheed, we see the life that Madam Noor Jehan led behind the cameras and the silver screens.
Noor Jehan dressed in a striking saree and enjoying her dinner at wedding reception. To her left is Haroon Rasheed.
Madam Noor Jehan is pictured here with her second husband’s cousin and Nazia Durrani, her daughter from her second husband, Ejaz Durrani.
Florence Villiers Speaks About Madam Noor Jehan, The Citizens Archive of Pakistan, From the collection of: The Citizens Archive of Pakistan
Florence Villiers was born in 1947 in France. She came to Pakistan in the 1970s and was married to Madam Noor Jehan’s son, Akbar Hussain Rizvi. In her interview with The Citizens Archive of Pakistan she speaks about how hardworking and dedicated Madam Noor Jehan was.
Noor Jehan, adorned in a flamboyant saree lends an ear to her daughter Zil-e-Huma, who seems to be sharing her thoughts.
Madam Noor Jehan with her daughters and grandchildren.
Never missing out on an opportunity to flaunt her vibrant personality, Noor Jehan smiles for the camera. Her daughter Zil-e-Huma and her grandchildren Nazia Durrani, Muhammad Ali and Shazia Sardar also pose for the same picture.
Noor Jehan in a peaceful and touching moment with her granddaughter, Nazia Durrani.
Taken in the 1980s, Noor Jehan is seen at a later stage in her life, standing in close proximity to her daughter, Zil-e-Huma. Her daughter, a carbon copy of her mother, appears to be in deep conversation with her.
Noor Jehan, even at an older age, appears elegant, with a flower in her hair and donning a red Shalwar Kameez.
Madam looks overwhelmed while sharing an intimate moment with her daughter Zil-e-Huma.
Noor Jehan with her daughter Zil-e-Huma and Son-in-law Haroon Rashed.
Here we see Madam Noor Jehan exuding an aura of pure bliss and glee.
Madam Noor Jehan, in her later days, is seen holding tightly on to her daughter, Zil-e-Huma.
This moment represents the close relationship the mother-daughter duo shared; evident, through the adoring, gazing look she is giving her daughter. Zil-e-Huma, dressed in complete white and looking like a replica of her mother, clearly reciprocates the feelings.
A picture of an elderly Noor Jehan wearing a black outfit with a smart white jacket, standing with her daughter Zil-e-Huma in Paris
Noor Jehan passed away on December 23, 2000, but, as Malak-e-Taranum, will always be remembered for her larger than life personality, and for bringing people together through her music.
Credits: Story
Initial Design, Concept and Layout:
Aaliyah Tayyebi
Primary Data collection:
CAP Oral History Project Lahore Team 2017
– Hiba Ali
– Sultan Ali
– Mustafa Kamal
– Rahma Sohail
Secondary Research:
Aaliyah Tayyebi
Serena Anthony
Syed Zain Haroon
Ihsan Arsalaan
Hafsa Tahir
Neha Maqsood
Editing:
Anum Zahid (Photo Editing)
General Editing, Technical Support and Final Design:
Aaliyah Tayyebi
Aleena Mashood
Rumman Islam
The Citizens Archive of Pakistan (CAP) is a non-profit organisation dedicated to cultural and historic preservation, operating in Karachi and Lahore. We seek to educate the community, foster an awareness of our nation’s history and instil pride in Pakistani citizens about their heritage.
Copyright © 2017 by Citizens Archive of Pakistan (CAP).
All rights reserved. No part of this Exhibit may be reproduced, distributed, or transmitted in any form or by any means, including copying, or other electronic or mechanical methods, without the prior written permission of Citizens Archive of Pakistan (CAP).
All the images shown here were donated to CAP by Noor Jehan’s grandson Mohammad Ali Butt and her grand daughter-in-law Saira Khan.
Credits: All media
The story featured may in some cases have been created by an independent third party and may not always represent the views of the institutions, listed below, who have supplied the content.
The Citizens Archive of Pakistan
Stories from The Citizens Archive of Pakistan
ONLINE EXHIBITThe Queen of Ghazal: Iqbal BanoThe Citizens Archive of Pakistan
ONLINE EXHIBITWaheed MuradThe Citizens Archive of Pakistan
ONLINE EXHIBITUntold stories of Pakistan’s IndependenceThe Citizens Archive of Pakistan
ONLINE EXHIBITPakistani Women of Arts and CultureThe Citizens Archive of Pakistan
ONLINE EXHIBIT1947 Through The Looking LensThe Citizens Archive of Pakistan
ONLINE EXHIBITNasreddin Murat-Khan (1904-1970)The Citizens Archive of Pakistan
ONLINE EXHIBITREMNANTS OF A SEPARATIONThe Citizens Archive of Pakistan
ONLINE EXHIBITThe Story Share InitiativeThe Citizens Archive of Pakistan
ONLINE EXHIBITGet To Know Squash Champion Hashim KhanThe Citizens Archive of Pakistan
ONLINE EXHIBITPakistan: Media and Culture Through the AgesThe Citizens Archive of Pakistan
Explore more
RELATED THEME
Women in Culture
From innovative artists and pioneering scientists, to the women who campaigned for universal suffrage and social equality
RELATED THEME
Wonders of Pakistan
A showcase of Pakistan’s finest cultural treasures. From ancient monuments to contemporary art, be inspired by the wonders of this incredible country.
Noor Jehan established herself as a top actress with films like Dopatta (1952), Intezar (1956) and Koel (1959). She made over 40 films, the last of which was Mirza Ghalib (1961). After this she pursed a successful career as a playback singer.
Not only a prolific performer in front of the screen, Jehan also became know as Pakistan’s first female director when she directed Chanwey in 1951 along with her husband.
Never missing out on an opportunity to flaunt her vibrant personality, Noor Jehan smiles for the camera. Her daughter Zil-e-Huma and her grandchildren Nazia Durrani, Muhammad Ali and Shazia Sardar also pose for the same picture.
The films selected for this paper are placed into two categories. The first category includes films
that feature Noor Jahan as both an actress and singer in the song selected, while the second
category includes films in which she is featured as the playback singer for the selected song. For
the first category, this paper analyzes the following songs: “Mere Mann Keg Raja Anja” from
Dupatta/Scarf (dir. Sibtain Fazli, 1952), “Tere Dar Par Sandam Chalet Aaye” from Kneed/Sleep
(dir. Hassan Tariq, 1958), and “Mehki Fizayen” from Koel/Cuckoo (dir. Masud Pervaiz, 1959).
The second category features “Kaisa Jadu Kar Diya” from Rangel aur Munawar Zarif (dir.
Nazar Shahab, 1973), “Mere Mehboob Teri Aankhon” from Main Bani Dulhan/I Became a Bride
(dir. Sajjad Ali Bukhari, 1974), and “Ham Pe Ilzam To Waise Bhi Hai” from Ilzam/Blame (dir.
Syed Suleman, 1972). This paper analyzes these songs based on three characteristics that they
exhibit. The first one is the use of the lyrics in terms of how they convey the feelings of the
women characters and their position with respect to their relationship with the man the lyrics
address. The second characteristic is the usage of the terms of endearment in the lyrics and how
this translates into the wider analysis of the portrayal of women in these songs. The third feature
is the visual aesthetic of these songs on the basis of the movements of the women performing
References
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Flynn, Mark A., et al. “Objectification in Popular Music Lyrics: An Examination of Gender and
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Gazdar, Mushtaq. Pakistan Cinema 1947–1997. Oxford University Press, 2019.
Hawkins, Patrick J. “What Boys and Girls Learn Through Song: A Content Analysis of Gender
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Mahboob, Ayesha. “Item Numbers: The Power of Seeing and Being Seen.” Reel Pakistan: A
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Mulvey, Laura. “Visual Pleasure and Narrative Cinema.” Film Theory and Criticism:
Introductory Readings. Edited by Leo Braudy and Marshall Cohen. Oxford University
Press, 1999, pp. 833–844.
“Mere Man Ke Raja Aaja Suratiya | Dupatta Songs | Noor Jahan | Ajay Kumar | Filmigaane.”
YouTube, uploaded by Shemaroo Filmi Gaane, 14 Mar. 2016,
https://www.youtube.com/watch?v=DVjEaIHQBIE.
“Tere Dar Par Sanam Chale Aaye – Neend 1958 – Noor Jahan.” YouTube, uploaded by babar
shahzad chaudary, 29 Dec. 2016, https://www.youtube.com/watch?v=n7jKRq9Auu4.
“Koel – Mehki Fizayen.” YouTube, uploaded by Tommydan333, 4 Mar. 2013,
https://www.youtube.com/watch?v=WG1TlmIMs80.
“Kaisa Jadu Kar Diya Mastani Ankhon Wale Ne – Noor Jehan – Film Rangeela Aur Munawar
Zarif.” YouTube, uploaded by LollywoodClassics, 27 Jun. 2017,
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